视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。这是一部关于异地情感的纪录片。 时代高速发展与变化，带给人们许多因异地而导致的聚少离多的切身体验。 《聚离》系列纪录片选取各具代表性的异地情感故事，截取他们情感状态中的不同侧面，近距离地记录了他们为尽可能实现“在一起”而奋力坚持的过程。 为大时代中的“异地”和“爱情”，留下真实的印记。。当邪恶联盟的领导人威胁要摧毁一个叛军星球，以获取其资源时，他的女儿别无选择，只能加入叛军一方，为正义而战。。
