视频简介
活泼可爱的女孩罗小路在机缘巧合之下邂逅了程多伦，两人很快就成为了好友。罗小路为了给母亲买生日礼物而向程多伦借了500元钱，程多伦为了证明自己的实力，在暑假时来到了作家舒云的家里，成为了她的助理。 眼看着还钱的期限就要到了，还没有凑到钱的罗小路决定铤而走险当一回小偷，巧合的是，她选择的作案地点竟然正是舒云家。果不其然，初出茅庐的罗小路很快就遭到了逮捕，她即将面临的是漫长的牢狱之灾，不忍心看到罗小路身陷囹圄的程多伦请求舒云放她一马。程多伦的行为深深地感动了罗小路，她发誓出来以后一定要好好做人。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
