视频简介
《来自科罗拉多的人》：欧文被任命为联邦法官，德尔成为他的警长。欧文在处理一起矿产权案件时，做出了有失公正的判决，引发了前士兵和矿工们的不满。以杰里科・霍华德为首的一群人开始进行抢劫活动，试图破坏商人的矿业经营。欧文威胁要绞死杰里科的弟弟强尼，尽管德尔劝说杰里科自首，并警告欧文不要这么做，但欧文还是绞死了强尼，导致德尔愤然辞职，加入了杰里科的团伙。 与此同时，欧文的精神状况愈发不稳定，甚至将妻子卡罗琳（艾伦・德鲁饰）关了起来，还试图通缉德尔。最终，在一场激烈的冲突中，欧文和杰里科都死于倒塌的建筑物之下。而德尔则登上了前往华盛顿特区的马车，为那些失去矿场的矿工们申诉。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。相貌清秀的小男生村濑贵也是一个地地道道的御宅族，他热衷于收集人偶手办。在科技高度发达的时代，家用女仆机械人专卖店（MW）实现了贵也这类御宅族的梦想，他们可以在MW买到符合自己口味的任一类型机械女仆。在MW店中，贵也相中了一款有着金色长发、绝妙身材和娃娃脸蛋的机械女仆。他未作犹豫，将其买了下来。不过，这个后来被贵也取名为唯的机器人坚信自己的本质就是做家务，她先是被MW店长的恶趣味包装弄得不知所措，接着又对贵也人偶收集和换装的怪品味所困扰。这对矛盾重重的奇怪主仆上演了无数有趣的闹剧…… 本片根据みづきたけひと的漫画原作改编，于2007年秋公开发行OVA录影带。。
