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【#無綫節目巡禮2013#】#馬國明、黃德斌及黃浩然#昨日為《#寒山潛龍#》拍攝巡禮，三人的扮相甚似《風雲》內的造型。馬明與浩然在劇中同是扮演殺手，兩人與陳茵媺及黃翠如會有四角戀。德斌飾演無雙城城主。《寒》劇是無綫少有的自創古裝劇，劇中他們都要打得好勁。 http://t.cn/zlQRzqD。天才少女夏尤美因意外发烧导致痴呆，高中三年来受尽白眼，直到高考前三天才恢复智力，为了洗清母亲为养育自己受到的耻辱，夏尤美利用仅剩的三天时间复习高中课程，分数超过小三的女儿夏真真成为高考状元，带着母亲迎接美好未来。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
