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In 1953, Mamadou Touré directed Mouramani, a film considered as the first ever made by a black French-speaking director. However, the mystery remains. No one knows where to find a print, neither if one even exists. Au cimetière de la pellicule is the search for that film, and an ode to cinema, both the kind we watch and the kind we make. A road movie from east to west, north t...。Few American journalists have had a career as trailblazing and transformative as Barbara Walters, whose astonishing life and work are recounted in her own words in this raw, intimate, decades-spanning doc.。